top of page
journalism
In Her Skin by Kosta Karakashyan | Review
Choreography, Writing and Nora the Many | Interview with Nora
kid subjunctive by Funsch Dance | Review
Matthias Sperling On 'No-How Generator' & Choreography | Interview
Connectingvibes at IRIE! dance theatre | Interview
Darcy Wallace's Mothertongue
Deborah Slater Dance Theatre In the Presence of Absence | Review
Neighbours by Rauf "Rubberlegz" Yasit & Brigel Gjoka | Review
Queen of Shade | Review
Womanewer by Laura Kenyon | Review
Reflecting on Sivan Rubinstein's Dance No 2
Reflecting on Attuning by Meera Patel
Smack & Spektakel at Rich Mix | Review
Charlotte Spencer Project's Is This A Wasteland?| Review
The Voice as a Portal for Embodied Activism - Interview with pateldanceworks
The Voice as a Portal for Embodied Activism - Interview with pateldanceworks
Dance Art Journal
A Pre-Covid Glance On Choreographing Solitude: Cherylyn Lavagnino Dance Paints Edward Hopper for the Stage
A Pre-Covid Glance On Choreographing Solitude: Cherylyn Lavagnino Dance Paints Edward Hopper for the Stage
Inbtwn. Magazine
An Interview with Fullstop Dance – On Tidal Waves as Collaborators
Field Work in Motion: NiNi Dongnier on Designing Interactive Spaces
Field Work in Motion: NiNi Dongnier on Designing Interactive Spaces
Washington Square News
The Architecture of ‘Between’: A Duet With the Surreal
On Creating Strikethrough: The Process Behind Erasure Poetry in Choreographic Scores
On Creating Strikethrough: The Process Behind Erasure Poetry in Choreographic Scores
Inbtwn. Magazine
Quarantining Through Dance - A Summer Interview Series
Dancing with Hafez | Review
Movement for Liberation: Interview with Dancers for Palestine
bottom of page